There are memoir titles that feel like a sentence spoken after the room has finally gone quiet. We Did OK, Kid has that feeling.
Anthony Hopkins brings with him so much public history that any memoir of his will attract attention automatically. What interests me more is whether the book sounds reflective rather than merely performative. This one seems to carry a certain worn grace in the title alone, which is often a promising sign.
The memoirs I end up valuing most are not necessarily the loudest. They are the ones willing to sit with memory a little longer, to let meaning arrive without overselling the moment. If this book does that, it may be worth more than celebrity curiosity.
Get your copy: We Did OK, Kid on Amazon